| Sight Reading Drills (Leger Lines) |
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| Radio and the Classics -- Come On, Rangers |
Rossini |
| The American Folk Song -- Camptown Races |
Stephen Foster |
| March Tempo -- Puppets on Parade |
Oesten |
| Left Hand Technic -- Swimming Under Water |
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| Mood in Music -- A.M. and P.M. |
Grieg and Chopin |
| The Folk Dance -- Mazurka |
Saint-Saëns |
| Harmonious Blacksmith Theme -- Handel Bars |
Handel |
| The Three B's -- Bach, Beethoven and Brahms |
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| Arpeggio Triplet Study -- Throwing Paper Airplanes |
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| Contrast in Touches -- Air Mail |
Mendelssohn |
| Tonal Expression -- It Was in the Good Old Summertime |
Spindler |
| Left Hand Wrist Staccato -- Robert the Robot |
Oesten |
| Song of the West -- Git Along, Little Dogies |
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| Nationalism in Music -- From Pole to Pole (Chopin to Paderewski) |
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| Grace Notes (Struck Together) -- Chinese Serenade |
Fliege |
| Grace Notes (Struck Separately) -- Sun Dial Waltz |
Chopin |
| Schaum Piano Quiz No. 1 |
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| Key of A-flat Major -- The Pelican |
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| Mexican Folk Song -- Estrellita |
Ponce |
| Left Hand Melodic Study -- Shadows on the Moon |
Schumann |
| Explanation of Opus -- Star of Midnight |
Dvorák |
| Beethoven's Pupils -- Gertrude and Elizabeth |
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| Two-Two Time Alla Breve -- Working at the Tool Bench |
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| Cross Hand Accompaniment -- Just a Song at Twilight |
Molloy |
| Importance of Slow Practice -- Wild Goose Chase |
|
| The Trill -- The Cold Shower |
Grieg |
| A Musical Form -- Lilac Time Serenade |
Schubert |
| The Turn -- One Good Turn Deserves Another |
|
| A Latin American Dance -- Mexican Hat Dance |
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| Recital Piece -- Dangerous Journey |
Koelling |
| Tchaikowsky's Friend -- To a Charming Senorita |
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| Excerpt from a Mozart Sonata -- Wishing Well |
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| Broken Chord Study -- Hawaiian Love Song |
Truax |
| Schaum Piano Quiz No. 2 |
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| Certificate of Promotion |
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| Schaum Music Dictionary |
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